Thank you to Artsyshark.com for their feature artist article - you can read more on their site. Click the image:
"In life and art, I long for the horizon. There is an invisible tether that pulls me toward the unknown, and this is reflected in the artwork that I do. Even in my purely abstract paintings, it’s always about a mythical journey of discovery. I always want to know…”
Just a few days left of our residency here at Brush Creek Ranch. Time stands still and whizzes by, simultaneously. This vast landscape inspires and intimidates at times, even being from Colorado. Our daily hikes have added dimension to our isolated camp, and from the high perches, there is a sense of scale and orientation, sometimes missing from the low valleys.
I've noticed a pattern while at a month long residency, that almost without fail repeats itself. Currently I'm at the midpoint, where I feel that nothing is working, and I can't paint!
The first week is full of vim and vigor, as all the artists get to know each other, we set up our studios and get cracking. The second week builds on that momentum and the studio begins to fill up with, at least, works in process. Then the midway point happens - suddenly
All about ARTIST RESIDENCIES - how to find the right one for you,create a compelling application and become an artist in residence. EVERYTHING YOU NEED TO KNOW!
For those who are creative and love to travel, artist residencies are the Holy Grail. From Antarctica to the Arctic Circle and everywhere between, artist residencies are dedicated places for creatives to focus on their work, travel to cool places and
Something about the horizon line keeps showing up in my work out here in the wide open spaces of Wyoming. This is not the first time - the horizon is a composition I naturally gravitate to, in many ways - literally and metaphorically. There is an invisible tether that pulls, and sometimes yanks me toward the horizon, ever longing for the unknown.
"Warning - extreme blowover danger!" The flashing signs crossing Wyoming on HWY 80 meant business. The 65mph + winds rattled and rocked my little Mini Cooper Clubman. But she held steady, helped I presume by the weight of 10 heavy panels for painting and a few hundred pounds of art supplies and other stuff. Art saves lives!
I was met by my host at the gates to this 15,000 acre luxury working cattle ranch in the
The gatekeepers are those internal critics that keep us from being brave in life and art. This painting process breaks through limitation and obstruction to find freedom and joy in expressing our most authentic selves.
Abstract painting can sometimes be overwhelming without some kind of structure, so in my latest class we are exploring a limited palette and subject/gesture, so as to simplify the possibilities and create more focus. In this demo painting I chose to use the black/white/red palette with a broad brushstroke. The other ones
One of my favorite of the etchings I did at London Print Studio last month. I layered a gestural painting I did with my drawing of water to create the etching plate, then rolled layers of ink on the surface of the plate for the color. Each print is unique in that way. Finished image is 10" x 8" on Fabriano archival paper.
While London is not a residency for me, it is my soul home in a way, and has been ever since first coming here as a wide-eyed 20 year old art student. By some invisible tether i am drawn back here again and again, and thus I find myself living here now, testing the limits of UK immigration and soaking up the dynamic thrill of this favorite city of mine. Alas, without a studio, I am confined to one small desk, so am simply cutting, pasting and drawing in my journal pages - calling this series of collages my "London Diaries" - as they reflect…